Login or Sign Up

Login
Lost Password?
No account yet? Register
 
down load adobe acrobat for free Adobe Acrobat 9 Pro Extended adobe acrobat online verson
Staff

Tim Chapman | Executive Director | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Tony Phillips | Program Director & Volunteer Coordinator | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Robert Faller | Technical Director | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Melinda Roell | Development Consultant | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Sarena Carr | Bookkeeper & Box Office Manager | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Jennifer Mingas | House Management Director | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

John David Lane | Facility Attendant | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Elaine Schneider | Gallery Coordinator | This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

 
[ Back ]

Artist Spotlight

Roxie Remley

High school music appreciation classes served as my early background in classical music when we listened to Walter Damrosch give commentary during an hour of recorded music on radio in the 1930’s.

Listening to the recorded Symphony No. 3 EROICA last year on the radio, I began to visualize how sounds could lead me into a painting. Beethoven’s EROICA is composed in four movements of contrasting moods and change of keys. This break away from the classical style was occurring in other arts of the 18th century Europe in painting, sculpture, architecture, drama, dance and poetry.